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Many Colors Of Prejudice Are Revealed In 'Dark Girls'

Student Pamela Moore is one of the women interviewed in <em>Dark Girls</em>, a documentary on color discrimination by actor-director Bill Duke and co-director D. Channsin Berry.
Dark Girls, LLC
Student Pamela Moore is one of the women interviewed in Dark Girls, a documentary on color discrimination by actor-director Bill Duke and co-director D. Channsin Berry.

Bill Duke knew he was going to get flak from a lot of people before he ever turned the cameras on to film Dark Girls, a new documentary about the painful encounters dark-skinned black women experience in a society where lighter is usually considered better.

It's a subject that has, more often than not, been considered taboo to discuss outside the black community. So Duke knew making a general-distribution movie about color prejudice within the black community was definitely going to rub some black folks the wrong way.

"I was in a group like this a few months ago," Duke told a crowd of people who had just screened the movie at the Pan African Film Festival in Los Angeles. "And someone said, 'Why are you airing our dirty laundry?' "

Duke, a tall, dark-skinned man with a shaved head and weary eyes, paused.

"My answer was: 'Because it's stinkin' up the house!' "

The audience erupted into applause and shouts of agreement.

Despite being accused of "airing the dirty laundry" of black communities by making <em>Dark Girls</em>, Duke says he thinks colorism is a relevant issue.
Michael Danger / Dark Girls, LLC
/
Dark Girls, LLC
Despite being accused of "airing the dirty laundry" of black communities by making Dark Girls, Duke says he thinks colorism is a relevant issue.

Hue-based hierarchy, of course, is ancient — and also very modern. The difference is many non-American societies are matter-of-fact about the preference for lighter skin. Prospects on the Indian online dating and marriage website Shaadi, for instance, often list themselves as "fair" or "wheat-colored" without embarrassment. Women touted as beautiful throughout Latin America and the Caribbean often range from very fair to cafe au lait.

Black Americans are no exception — but they're also less forthright about the color prejudice that exists within the black community. Duke's film not only airs dirty laundry no one wants to show the outside world — it also may blow the windows off their hinges.

Comedienne Luenell (she uses only her first name) attended the screening at the Pan African Film Festival; she says it's about time the black community had this conversation, even if it makes some people twitch.

"My daughter is 16 years old; she's dark," says Luenell, who has that cafe au lait skin and closely cropped blond hair. "I have all shades of people in my family, and I know this is a subject that needs to be breached upon. It's a dirty little secret subject amongst our race that people don't talk about, and we do need to talk about it."

Bill Duke believes people also want to talk about it but can't start that conversation on their own. He hopes Dark Girls will be a catalyst for what he considers a long-overdue dialogue.

Copyright 2021 NPR. To see more, visit https://www.npr.org.

Karen Grigsby Bates is the Senior Correspondent for Code Switch, a podcast that reports on race and ethnicity. A veteran NPR reporter, Bates covered race for the network for several years before becoming a founding member of the Code Switch team. She is especially interested in stories about the hidden history of race in America—and in the intersection of race and culture. She oversees much of Code Switch's coverage of books by and about people of color, as well as issues of race in the publishing industry. Bates is the co-author of a best-selling etiquette book (Basic Black: Home Training for Modern Times) and two mystery novels; she is also a contributor to several anthologies of essays. She lives in Los Angeles and reports from NPR West.